Adam-Troy Castro

Writer of Science Fiction, Fantasy, Horror, and Stories About Yams.

 

Story Excerpt: “The Whole Crew Hates Me.”

Posted on December 27th, 2016 by Adam-Troy Castro

Coming in LIGHTSPEED magazine: “The Whole Crew Hates Me.”

Excerpt:

“They hate me. They have told me this, again and again, starting from almost the first day of the mission, and continuing every day since then, carrying their hostility well outside the confines of the solar system and into the realm of bentspace. Their hatred does not quite extend to the realm of murder, at least not yet; but it does include telling me every day, in every possible way, that they find my presence intolerable and that they wish I would just do something considerate, like die. I’ve given up on asking them why. They just tell me it’s obvious. They say I’m stupid for not being able to figure it out for myself. They say it’s all they can do to not smash my face. I ask if they have any specific complaints, if there are any specific transgressions I can work on. They just look disgusted. This is universal; all thirty members of the waking shift, all saying the same thing, all making the same points. They hate me, all of them. Every single one.

The various facilities the ship has for crew recreation have all been shut down to me. I am not allowed anywhere near the game room. I am not permitted to access the library, audio or video or neurec or text. Even the ship’s mess is forbidden to me. I cannot sit and enjoy my meals at leisure, listening to and participating in the give-and-take of shipboard life, the way they do, but must collect a weekly allotment of reconstituted foodstuffs from the galley, and take it down to the guts of the ship where, they assure me, I belong, because otherwise I’d be among them, ruining their appetite, making them sick. I’ve protested it in the strongest possible terms, both in the last list of grievances transmitted to Earth and with the Captain herself. But Earth has not responded and the Captain merely rolls her eyes and says, “What do you expect me to do about it? I can’t force them to socialize with you if they don’t want to.” I ask, “And that’s it? Then? I’m supposed to just lock myself away and not talk to anybody for another ten years? She rolls her eyes again – a great eye-roller, is our Captain – and tells me that it’s not her fault; it’s not anybody’s fault; it’s not even my fault, because I was born the prick I am. But she can’t help it if everybody hates me. She can’t even help it that she hates me too, as, she takes pains to assure me, anybody would.”

Not All Unpopular Opinion Lists Are Created Equal. Here’s Why.

Posted on December 18th, 2016 by Adam-Troy Castro

The latest fad on Facebook and online in general is presenting lists of unpopular opinions.

And like much of human interaction, it boils down in many cases to either telling folks that what they like sucks, or that what they hate doesn’t suck.

I have indulged in this myself, and have come to an interesting epiphany.

In most cases, the people who want you to know that the thing you dislike doesn’t suck generally have an argument to present.

It may not be a persuasive argument to you, and it might not even be a good argument, but at the very least it is an attempt at reasoning you into a different opinion.

Whereas, in most cases, the people who want you to know that the thing you love does suck, have only stubborn negation.

For instance, take one of the unpopular opinions I presented, that Keanu Reeves can act. In order to argue this thing that many people consider wholly risible, I took the position that if he’s done a good job at his chosen profession even once, that that is sufficient to document that the ability exists, even if you want to counter that it’s rarely been exercised or not evident in the performances most people know. To this end I named two early Reeves films, River’s Edge and Permanent Record. These were in both cases tough dramas, and in both cases he gave the movies exactly what they needed.

Nor are these the only existing good Keanu Reeves performances. These are the two I pointed to, as someone who had seen more of them and possessed more information.

Inevitably, the reply came: “I saw Speed and he sucks!”

My counter-argument: I didn’t mention Speed. I mentioned those other two.

“I never saw them! But I did see Speed and he sucks!”

I had data; they had negation.

Similarly, in attempting to win an argument about Woody Allen having made good movies after Annie Hall – and we can leave questions of his character out of this particular discussion, thank you – I named several, including Radio Days, Broadway Danny Rose, Purple Rose of Cairo, and Match Point. This was my data, and it needs to be said that I might be full of crap; it is possible for an informed person with different aesthetic standards to make a case for Woody Allen being horrible based on those very same movies. But the responding arguments were all from people who did not possess this data, one way or the other, and just wanted to repeat their own denial.

Again, the negation of data.

Somebody who wants to sell you on an enthusiasm will generally produce reasons for the opinion. I like this because of this reason, and that reason, and the reason after that. I’m sorry you had such a bad time in New York; maybe if you go again you can visit this restaurant, or that museum, instead of what you did this time. I know you found this musician terrible; but that work is really unrepresentative and perhaps you should attempt the classic album Y. I know you fell asleep during this movie when you were thirteen, but it’s really a heavy movie for a kid that age, and I believe you’ll get more out of out if you watch it from a more mature perspective now. I know you read this early novel by Writer X and thought he couldn’t write his way out of a paper bag, but that happened to have been a still-amateurish early work and a work of juvenalia, but he developed his gifts really fast after that, and what he’s been writing in recent years is…and so on.

Right or wrong, the enthusiast offers reasons. They may be dumb reasons and they may be reasons only a completist would know, and they may be reasons that can inspire argument, but they are reasons.

For the most part – and yes, articulate exceptions exist – the person who wants to tell you that you enthusiasm sucks is satisfied with just taking a dump on it.

You can be talking about Writer X or Musician X or Comedian X or Movie X or TV Show X, and you might be making a very sophisticated point, or even an informed criticism, based on your enthusiastic consumption of same, and the person with the opposing opinion will step in and say, “Oh, I think that sucks.”

“Why?”

The nay-sayer is most often, not always, but most often incapable of response except with another declarative statement.

“It just sucks!”

And again, he may be right.

That’s the damnable thing. He may be right. Maybe you’re overthinking, for instance, the Power Rangers universe. Maybe it does objectively suck and none of your enthusiast’s reasons for praise have validity.

But on the other hand, it is something you love. Maybe your favorite form of music in all the world is the old bubble-gum band, Herman’s Hermits. You think all other music pale next to Herman’s Hermits. This is bizarre to me, but it’s the way you feel. And while I can imagine somebody having a positive effect on you with a sentence that began, “Great! What about —? Have you tried —?”, the only possible effect of the person who sneers that Herman’s Hermit sucks is to make you feel bad.

I appreciated the Harry Potter novels enough to write a book about them.  (For pay, but still.) Occasionally I’ll utter something positive about them or about the woman who wrote them. My appreciation of them is not single-mindedly positive — I’m a writer; I analyze –but I have clearly thought out my reactions, and they work for me. The only possible effect of you ever sneering, “Harry Potter sucks!” or “J.L. Rowling can’t write her way out of a paper bag!” is,  similarly, to make me feel assaulted.

There is a qualitative difference between how these two forms of opposition operate.

The enthusiast wants to give you data. The nay-sayer wants to tell you that whatever familiarity you have is irrelevant.

Between the two, I know what side I prefer, and which side has given me information I could use.

My Annual Shameless Award-Whore Post

Posted on December 14th, 2016 by Adam-Troy Castro

With the understanding that you should not vote for me only because you like me, or because you’re a friend of mine, or because you like my blogging on Facaebook, or because you liked that other story I wrote that time,

that you should vote for *these* only if you are totally blown away by these stories,

I hereby provide a handy-dandy single-stop reference to my award-eligible work from 2016.

I have spared you a couple of links to work that I like but that strike me for whatever reason as not quite worthy of award consideration. This is still a complete list of my publications for the year.

SHORT STORIES:

“The Old Horror Writer” , NIGHTMARE MAGAZINE, May 2016. Horror.

“The Four Haunted Houses” , NIGHTMARE MAGAZINE, September 2016. Horror.

“Framing Mortensen,” WHAT THE #@&% IS THAT?,  November 2016. Horror.

“The Refrigerator in the Girlfriend, “ UPSIDE DOWN (Apex Anthology).  Science Fiction. This file is my draft and may contain a few rough spots later cleaned up in copyediting.

“The Assassin’s Secret,” LIGHTSPEED MAGAZINE, August 2016. Fantasy.

NOVELLAS:

“The Coward’s Option,” An Andrea Cort novella, ANALOG magazine, March 2016. (Uncorrected RTF file). Science Fiction. My favored of this year’s two novellas.

“The Soul Behind the Face,” a Draiken novella, ANALOG, October 2016.  Science Fiction.

NOVEL:

GUSTAV GLOOM AND THE CASTLE OF FEAR, Grosset and Dunlap. Middle-Grade. (No link, as I cannot give you the whole book for free, but I am proud of it).

 
 
 

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