Adam-Troy Castro

Writer of Science Fiction, Fantasy, Horror, and Stories About Yams.

 

A Lot More in Common than Just Stupid Hair

Posted on May 1st, 2017 by Adam-Troy Castro

We live in a time when our minds, our imaginations, are colonized by any number of little bits of business from movies and television.

Some of what we have we share with many. Many of us have “I always have been, and always shall be, your friend.” Many of us have “You can’t handle the truth.” Many of us have, “I’m Batman,” or “Louie, this looks like the beginning of a beautiful friendship.”

We also have a number of bits of business that we retain whereas many others did not, simply because they happen to speak to us in particular.

I remember bits of business from movies and TV shows that nobody remembers, or might be expected to remember.

One I have retained for forty years is a moment from a sitcom not often cited today, that was hot as a sizzling grill back then. It was called Mary Hartman, Mary Hartman, and doesn’t really matter for my purposes if you remember it, or even that it was a big deal for a cultural eyeblink. All you have to know is that it took place in heartland America and that its protagonist, the put-upon pigtailed housewife of the title, was not exceedingly bright. She had good qualities that I could list if I had to, but right now all you need to apprehend to move on to the next paragraph is that she wasn’t very bright. Okay?

The show had a serial format and for a while there, author Gore Vidal appeared as himself, visiting Mary’s small town in search of material. I forget almost all of what he did except for befriending Mary, an odd relationship between a famous world-traveled intellectual and an obscure stay-at-home person with no real horizons and an unexamined life.  And the scene I remember takes place after he leaves town, when a lonely Mary gets him on the phone to chat.

Mary tells the now-unseen Gore that she has an absolutely great idea for a book, that she wants to give him. Really, she says, this is a sure-fire idea. It will no doubt be a great success for him. Are you ready, Gore?

She proudly unveils her big idea: “THE CIVIL WAR.”

From the subsequent conversation, it is clear that this pronouncement doesn’t exactly blow away the author of multiple historical novels.

Why did this moment stick in my head? The takeaway, to me, is Mary’s doomed helpfulness. She’s not a person whose life has much traffic with the strange, alien objects known as books. She is so cut off from the world of a Gore Vidal that she thinks the Civil War is a wholly unexplored idea. She’s not plugged into the culture they represent and has absolutely no idea that the Civil War is one of the most discussed historical subjects on the planet, and that Gore Vidal – a man she knows only for some vague value of “celebrity” – surely knows this.

Mary Hartman has good qualities, but for all her good qualities, is so ignorant, in the literal sense of the term, that she doesn’t know how many millions of words have been penned on the subject of the American Civil War. Has no idea.

I had at that point already encountered some manifestations of the phenomenon that some people find the actual function of books a mysterious and unexamined idea, well beyond their ken.

But it seemed astonishing to me, back then, that anybody could be so ignorant that they thought the Civil War, in particular, had never been discussed.

Ladies and gentlemen, Donald Trump and Mary Hartman have more in common than just stupid hair.

Story Excerpt: “James, In the Golden Sunlight Of the Hereafter”

Posted on May 1st, 2017 by Adam-Troy Castro

Available in the May 2017 issue of Lightspeed.

It took James Washington forever, almost literally forever, to remember that his wife and children were as dead as he was. For a while, he barely even realized that he was dead himself. Heaven, for lack of a better word, is bliss, and as anybody who has known euphoria can tell you, bliss doesn’t always allow room for rational thought. Bathed by otherworldly radiance, lulled by the music of the spheres, every atom of his being screeching a level of happiness impossible in any terrestrial realm, James was as stupid in the moment as any opium addict had ever been.

But the nagging memory of those he had loved marred all this perfection in the same way a single mosquito bite can ruin a perfect weekend in the best tropical resort in the world. The more it itched the less he could ignore it. And so, after a period of time that may have been longer than civilization had been extant on Earth, he managed to ask, “Where are they?”

One of his perfect golden servants murmured, “You will be happier if you do not ask.”

For many lifetimes more he allowed this to mollify him.

The golden servants were beautiful. He knew that they were angels, by all useful definitions of the term; they didn’t have wings and they didn’t walk around with little halo-rings attached to their heads on sticks, but they were beings of glowing vitality who embodied all the grace and nobility possible in any version of the human form. They were his dedicated caregivers, his wanton lovers, his tireless servants—given how little his own participation was required of him, they were more than capable of delighting him all on their own—the dedicated gardeners of a crop that consisted of only one flower, himself. They should have been enough.

But memory’s itch remained persistent. James’s car had been t-boned by some lunatic asshole who hadn’t even slowed down, not even a little bit, while running the intersection. It came to rest lying on its back, the passenger cabin crushed on two sides, the two adults and two children inside broken in ways that might have been already been terminal, even before the fire. His own legs, pinned beneath a compressed steering column, were like a pair of meat-sacks filled with gravel; his chest was so battered that breath was an exercise in arguing with a chest full of razors. Six-year-old Keisha was behind him, maddened by agony and fear, screaming for Mommy. But sweet Tish was not answering, and throughout this little Ty was not crying, the way a toddler in a car seat should have been; he was just silent, and despite waves of unimaginable agony, James had felt his sanity cracking from the understanding of what that likely meant. Then tongues of bright orange began to erupt from the upholstery. The afterlife had been kind enough to edit out the rest.

Where are they?

(For the answer, see LIGHTSPEED).

 

Obscure Movie Worth Investigating: THE BOTHERSOME MAN (2006)

Posted on April 27th, 2017 by Adam-Troy Castro

This 2006 Swedish film flirts with a storytelling problem traditionally very difficult to solve: namely, how to dramatize tedium without becoming tedious yourself. It’s been solved successfully a number of times, mostly in comedies. I think this film manages it as well, but your mileage may vary.

A man arrives via bus at a desert outpost where he is then chauffeured to a gray and charmless city where he is provided a boring home, a boring office with a boring job, and even some money to get started. It’s all very civilized. But there seems to be something wrong with the people. Sex is mechanical and utterly without passion or pleasure. Food is tasteless, drink without affect. Every conversation he encounters is mind-bogglingly vacuous and repetitive. He witnesses bloody suicides that nobody seems to care at all about, not even the victims, who show up alive and uninjured. At one moment, he suffers an intense injury, which goes away in ridiculously short order. It is clear that if he stays, he will be here forever, where all sensual or emotional satisfaction is denied him.

Now, internal evidence will easily lead you to the conclusion, very early on, that he is in Hell. It is no spoiler to reveal that the existence of a better place, and his quest to get there, is an important part of the story, but I can tell you right now that nobody ever comes out and explains that in concrete terms, as they would in an American film; here, it is so obvious a point that the movie trusts you to put two and two together, without making it a “twist.” (Indeed, our hero has almost no dialogue where he expresses his dissatisfaction, or tells us what he’s thinking; again, it’s there to be inferred by any halfway intelligent moviegoer.)

I can tell you that if you get into the movie’s rhythms, the relentless, horrific banality he encounters acquires a steadily increasing comic impact. It’s funny as hell. And what happens when our hero rebels has a beauty that is half-wonderful, half-terrible. One of the great sense of wonder visuals I have seen in fantasy films in some time, and not one superhero in it.

I haven’t even mentioned the couple necking on the subway platform. Who are…well…disturbing.

 
 
 

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